Jay z blueprint 2 tracklist update#
Jay z blueprint 2 tracklist full#

Full of glitz and glamour, pitfalls and successes, he lives a decadent life and that is conveyed in the beats and rhymes here.The Blueprint is the sixth studio album by American rapper Jay-Z, released on September 11, 2001, through Roc-A-Fella Records and Def Jam Recordings. Jay doesn’t abandon the personal touch that made The Blueprint the album many of us listened to as we watched NY burn, he shows us his world. crew assist Jigga in his lyrical assault on all the bitches in the world.Īt one point on the album Jay says “This must have been what the nigga Pac felt like when he made Me Against the World, All Eyez on Me.” Now this may be wishful thinking on Jay’s part in hoping that he could deliver something of that quality to us back to back – but in a lot of ways the parallels are there. If this isn’t enough, Just pounds out the hardest beat on the album and includes some of his trademark cuts, letting the N.W.A. As Jay breaks down the differences between these two species of females you would be hard pressed to argue with his analysis.

Jay z blueprint 2 tracklist update#

Never forgetting the past, they also decide to update the classic Jeru and Premo cut delivering “Bitches and Sisters” to utter perfection. On the haunting tale of parental neglect, Justin Smith gives the perfect audio back drop for Jay to tell his street symphony “Meet the Parents.” Bringing back the monster “U Don’t Know” from The Blueprint and adding M.O.P. Just Blaze is a constant presence on this second disc and he rarely disappoints. Just Blaze creates a bubbling track for them to express their hope for change, and you can’t help but feel the positivity in their voices. Just like the other tracks “Some How, Some Way” is the perfect mix of emotion and lyrical decadence we have come to expect from this team. Beans and Face join up with Jay again, their third teaming in a year.

The Curse disc as a whole is darker, with less club oriented tracks. Next up is the title cut and it serves as the follow up dis track at Nas and everyone else that took his side in the aftermath of “Takeover.” With a cinematic beat courtesy of Charlemagne chopping up a fine Ennio Morricone sample, this is one of the finer tracks here. West delivers another stellar beat (50 percent average? ‘Ye can do better) on disc 2 (The Curse) with Jay’s open letter “Some People Hate” – you can imagine how Jay handles the verses. Many of the Kanye selections here leave a bit to be desired (above video being a big one), but he brings it altogether for the always enjoyable posse cut “Poppin’ Tags.” With a laidback beat fitted perfectly for it’s guests we see Jay-Z, Big Boi, Killer Mike and Twista all spit game about the hustle and their fresh gear they constantly cop. If this wasn’t enough “All Around the World” features LaToiya Williams singing a stellar hook, sounding fresh out the 70s. connect with Jay for the first time and smash it out of the park with a stellar beat based around some of that classic P-Funk only George Clinton could be responsible for. Smack in the middle of The Gift disc we see No I.D. From “Excuse Me Miss” to “The Bounce” and all the tracks in between you won’t be able to deny the rhythm ingrained in these knocking tracks.īut beyond these mindless moments of sheer entertainment, we see Jay give us more of what we love. I won’t claim they are musical masterpieces (although if a club track’s purpose is to get the girls to shake their ass, these would most certainly succeed) but the Neptunes and Timbo have controlled pop music for a number of years for a reason: They do what the do well. In listening to these tracks you have to let them exist for what they are. The inclusion of these two goes a long way to explain the club sound much of the first disc (The Gift) has. Jay also reached out to some old friends getting The Neptunes down for several cuts as well as Timbaland. The samples aren’t completely gone, but just as present are keyboards and synthed out effects a number of producers continue to perfect so as to avoid the expensive penalty of clearing a sample.īringing back the two stars of The Blueprint, Kanye and Just Blaze are in heavy attendance here with them contributing four and seven beats respectively. Instead be ready for club hits and a more studio oriented sound. Aside from the similarity in name and a few producers you shouldn’t expect to hear the same style that was executed to perfection the first time out. Let’s just get this out of the way: This album is not The Blueprint. Filled with his typical commercial fodder, the sprawling two disc effort might be the Jay album you’ve been sleeping on. While not fully deserved, it’s hard to listen to The Blueprint next to it’s predecessor and believe that it’s the best Jay-Z could have given us. Upon the delivery of The Blueprint 2: The Gift & The Curse Jay-Z was subjected to a lot of hate.